Posts Tagged ‘Music’
Tuesday, June 1st, 2010
Meister IKKEI Hanada
spielt traditionelle, seit dem 14. Jahrhundert überlieferte Musik der Komuso (Fuke Shakuhachi-Mönche) auf der Shakuhachi (japanische Bambusflöte).
Samstag, 19. Juni 2010, 19.00 Uhr
im Atelier Lachdach
Landsbergerstr.444, 81241München
(Pasing, oder nähe Trambahn “Am Knie“)
Karten zu 15 Euro
Telefonische Reservierung unter:
Tel: 08179/929375
Fax: 08179/929376
http://www.ichionkai.de
Tags: Music, Shakuhachi Posted in Music | 1 Comment »
Tuesday, April 20th, 2010
Renkei Hashimoto
spielt traditionelle, seit dem 14. Jahrhundert überlieferte Musik der Komuso (Fuke Shakuhachi-Mönche) auf der Shakuhachi (japanische Bambusflöte).
Freitag, 14. Mai 2010, 20.00 Uhr
im Studio 3
Bleichstraße 22b, 90429 Nürnberg
Karten zu 15 Euro
Telefonische Reservierung unter:
Tel: 08179/929375
Fax: 08179/929376
http://www.ichionkai.de
Tags: Music, Shakuhachi Posted in Music | No Comments »
Friday, January 22nd, 2010
Rewiring Reason is a nice feature – you can use all the Reason synths, effects and instruments in Logic Pro (it should work even in Express Edition). Basis is the so called Rewire protocoll which has been invented by Propellerhead before a good while.

Basically its pretty forward to wire both application together. You just need to know that one of the apps should be the Master, while the other is the slave. Usually you have Logic Pro as the Master, from which you control everything and Reason only as some kind of big effect box.
To start with it, please open Logic Pro and afterwards Propellerhead Reason – NOT vice versa. The master needs to be opened first.
Then create a new track in Logic. The type is “External MIDI”.
In Reason, step up to highest hardware component, the hardware device. There is a button called “Adv. Midi Device”. Click it.
In Logic you are now able to choose Reason in the Library. Just select your “External MIDI” Track and open the Library. You’ll see a folder called “Reason” and then several instruments, depending of what you created. I have chosen one called “Synth”.

Now the signal should go into Reason and do things, but you need to wire it back into Logic to hear it. This can be done with a new track in Logic, an AUX track. You can create it in the Mixer view in “Options > Create new Aux”. Once done you are able to choose the channel which comes from Reason in Logics “I/O” section. I have chosen R/Cha 9/10. If you choose the stereo sum: this already works, but if you want to separate between different channels you need to patch the reason components. I wanted to use the single outputs, so, back to reason.
In Reason you can choose in Options that you would like to view the Rack from the back.

Choose the instrument you want and patch two cabels from the for example master out in the hardware controller on top. The hardware controller finally decides which channels you can hear in Logic. Because I have choosen 9 and 10, my stereo out from the instrument goes into the hardware device in slot 9 and 10 too.
Once done, this is finished and you have successfully rewired Logic to Reason and vice versa. Now your creativity can begin and learning start  Enjoy!
Tags: Logic, MIDI, Music, Reason Posted in Audio Software, Music, Music Tech. and Hardware | 1 Comment »
Saturday, May 9th, 2009
After long time I finally decided to buy Apple Logic 8 in favour of GarageBand and Apple Logic 7! It now has arrived!
 Apple Logic 8
Spotting it out showed me that everything looks more cool and nothing is missing. It runs smooth on a Mac Mini Intel Core Duo (not 2) with 2 Gig of RAM. Performance is not different to Logic 7. Synthesizer Content is amazing and I really think that the time of creating a VST or AU plugin is near
We’ll see – now I enjoy that cool piece of software!
Tags: Logic, Mac Mini, MIDI, Music Posted in Audio Software, Music Tech. and Hardware | No Comments »
Friday, April 4th, 2008
Today i was suffering cause my GarageBand song hang up several times and made it impossible for me to compose. I turned on my bought Logic copy to do the song with that software. It was better, but i still felt so uncomfortable, i tried to tweak GarageBand a bit more. However, i now know why my song lagged. It was my effect on my drums: i am used to deep drums with lots of bass and modified the “Apple Rock Kit” which had a horrible impact.
The other teaks like freezing tracks didn’t work for me. Well at least the tip with the colors where useful: when GarageBand is in need of too much processor time, the song pointer switches to red color. This way i found out that not my echos, but my equalizers are my problem.
This is not the first time i figured out that equalizers use a lot of processor time. Well, i will not buy a more expensive apple. I will just turn the equalizers on when mixing.
Tags: GarageBand, Music Posted in Audio Software, Music Tech. and Hardware | No Comments »
Tuesday, March 25th, 2008
II suddenly woke up and realized that my only chance to continue my musical work is to learn everything i can get about music theory, means, harmony. I bought several books and wow, there are a lot of quality differences. Some authors think the reader is a stupid idiot, just buying that book for impressing (or depressing?) his friends.
Well, the german book “Harmonielehre und Songwriting” from the authors Fritsch, Kellert and Lonardoni is not like those books. It’s a great and very, very compact reading. On a half page they might explain what the circle of fifths (Quintenzirkel) means. Well, in fact you don’t need any more explaination. What these guys write is straight forward and easy to understand. Just at a few pages there are a lack of words. This is for example when they explain the bass clef; it’s a bit to compact and you have to read carefully to understand that you can combine violine clef and bass clef. A beginner will get out very much out of this book by reading just the first 100 pages and understand, what f. e. a perfect cadence is. I recommend this book to every german speaking musician who wants to learn about harmonies and how you build them up.
Tags: Bookreview, Music Posted in Books | No Comments »
Thursday, February 14th, 2008
The past 1,30 years was full of learning about Music Theory and much more. I improved my bass-guitar playing, learned how to record, learned about necessary equipment, about synthesizers, improved my harmonic and melodie skills, mixed, learned what filters, eq and compressors really are and finally started with the great area of mastering. I survived, i succeded. All that stuff was exciting; my horizon is open by now.
COMPOSING
When I started I didn’t know anything about creating music alone. In fact, i was alone, nobody of my former friends could tell me how to start. In 2006 I bought Magix Music Maker; this was a frustrating piece of software. Once I had something one could name a “song”, I couldn’t develope it the way i want. You are built in a golden cage; everything simple and well designed, but you have not the chance to do something which the developers have thought of. Well, only good thing was that I felt that i -could- do it: I could compose songs.
In 2007 i bought my Mac Mini; a new life started, everything is simple, well designed and ready to use. I will not leave my Mac again, I love it. Included was a programm called GarageBand 1. I started it and recognized quickly that this easy-to-use programm could help me with making music. GarageBand 1 didn’t have any support for a “virtuall keyboard”, so i bought a keyboard from M-Audio. It’s connected via USB, quite simple, ugly, without dynamics keys, but usefull and cheap when you just work with midi files. With that equipment I composed my first songs. However, i quickly switched to GarageBand 3, cause this is so much more comfortable. I bought some Jam-Packs and then I had everything I wanted. BTW, if you are thinking you set up your Mac Mini and off you go- wrong. The Mac Mini has NO cable slot for microphone in. You need to get a soundcard for that. I bought a simple Hercules USB-Soundcard for 30 euro. That was enough for my tests.
Later I bought Logic Express, but it was hard to learn. I learned how to use it, but the MIDI editing stuff is uncomfortable. I used it a while for mixing, but had to learn that my money was wasted. I was happy that I didn’t bought Logic Pro which is much more expensive.
RECORDING
After the MIDI editing, I figured out that my sounds are OK, but I need real, analogue instruments to make my music work. I put in my bassguitar into the Hercules card. It was OK for a try-out but I recognized that this isn’t enough for a professional CD. Later i bought a Phonic Firefly 808 and yest, this hardware is so great- smooth integration into my mac, works perfectly with Core Audio on Mac OSX 10.4.x. Very fine- I started to record.
This was easier with Logic Express; you can record tasks here, one loop over and over again, and at the end you choose the very best and off you go. With GarageBand you have to click “start” for every loop. Well, in the latest GarageBand version this feature is integrated, but I didn’t want to buy it. Maybe the next version; this one has to less features which are of interested of me (who to hell wants a virtual band??).
However, cause Logic Express is so ugly and hard to handle, I used GarageBand again to record.
MIXING
For mixing, GarageBand is very very hard to use. You simply cannot have exact positions, cause everything is to small. Logic Express is perfect for mixing. It also offers the possibility with lots of AU-Plugins, which are usefull this task. I used Logic Express, opened my GarageBand songs and everything worked out well. I made some of the standard-errors a beginner makes, but cleaned that out half a year later.
MASTERING
Mastering- a new field for me. I learned that WaveLab is one of the best pieces of software, but I didn’t want to buy that for a important but short task. GarageBand has some features in this direction, but it looks very gory and low level- I really don’t understand what they want us to use here. However, Logic Express is of course possible. You have to construct your enviroment, and all that just for improving your song. Next problem: you cannot have multiple songs open, which is great for a beginner. However, I remembered Audacity, and thats it! Easy to use it was, and it could integrate all my Logic Express Compressors, Eqs etc. pp. At the end I mastered everything with this great and free Open Source tool.
FAZIT
At the end is clear, a combination of all that tools is the very best for me. My CD sounds great- ok, professional people may have their problems, but the rest will enjoy it like I do. I read very often about “use that, that is cool” and figured out, that this idealism is not worth to speak of. All products have there pros and contras. For a small production, this all is perfect. You don’t need expensive stuff. Just ignore all the “pros” out there or the “semi-pros” who try to tell you that you ONLY can have fun with the most expensive product. They are lying- it’s possible to have professional products without stealing software. I guess, it all depends on your quality and your ears.
Tags: Audacity, GarageBand, Logic, Music, OS X, Software Posted in Music Tech. and Hardware | 3 Comments »
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